Saturday, December 5, 2009

Strange Science




J.B. Rhine investigated ghosts, telepathy, poltergeists, and other unseen parapsychology phenomena from 1927 to 1965 at his Duke laboratory. Stacy Horn, author of Unbelievable, a recent history of his research, spent countless hours in the Rare Book, Manuscript, and Special Collections Library combing through more than 700 boxes of archives. She describes the collection as "a survey of everything weird in the U.S. during that period." Oddly enough, the epicenter of all this weirdness was on Duke's campus.

How did Rhine get his start at Duke?

Mind meld: J.B. Rhine tested sentient creatures—including Duke students and domestic animals—for signs of extrasensory perception.
Duke University Archives
Academic researchers were curious to see if the scientific method could be used to find evidence for life after death, and they were open to that possibility that it could. J.B. Rhine was a scientist, and he was willing to give it a try. So Duke's administrators, like President William Preston Few, were willing to let him.


How did Rhine begin trying to prove this?

Basically, Rhine said we know that when we die, the body dies, the body decays, it's over. We need to find something about ourselves that exists independently of the body. Otherwise, when we die, that's it. So if telepathy operates independent of the body, it opens the door to a possibility that there is something within us that can survive death.

What kinds of experiments did he perform while searching for the existence of telepathy?

He started with a test of simple playing cards. He began with children, but then moved on to Duke students. It was basically a simple test: "Can you tell me what playing card I'm holding?" without seeing it. And he found that they could.

He was using a regular deck of playing cards, and he found that people had certain biases—they would guess certain cards more often than others because they were very familiar with a regular deck. So he had a psychologist, Karl Zener, design him a set of cards with completely different symbols. And these are the ESP cards that a lot of people are familiar with, the ones with the wavy lines, a star, a box, a circle, or a cross. Using these cards, he repeated the test with students and found that they were again able to tell him what symbol was on the cards without seeing them.

What other experiments did Rhine and his colleagues conduct?

The ESP cards really were their staple until the end. They refined the experiments over the years—first, they separated the student and the experimenter with a screen. Ultimately, they were in separate rooms, and the tests were done double blind, so that even the person conducting the experiment didn't know what symbols were on the cards.

The other experiments that they're known for are tests in psychokinesis, the ability to move objects with your mind. Again, the test that they used was a very simple one—rolling dice. They would see if the students could influence the roll of the dice. The experimenters would use their hands and throw the dice against the wall, but, later on, they were using machines to roll the dice, so it would be more random and the experimenter could not be accused of influencing the roll.

And they found, again, that the students did seem to have some ability to influence the roll of the dice, but the effect was a lot weaker. It's not like somebody can go to Las Vegas and win a billion dollars with this ability. It was infinitesimally small.

What did Rhine credit these effects to?

Rhine always felt that ESP was something that operated independently from the physical body. He also thought that someday the answer would be found in the study of consciousness and that when we had a better idea of how consciousness worked, or even what it is, it would explain the effects that he found in his experiments.


And Rhine became a household name?

Well, it's interesting. Rhine is often portrayed as a publicity hound, but he really wasn't. In the beginning, he turned down a lot of interviews because he saw himself as a serious scientist and an academic, and he thought this kind of publicity was undignified. And so he would say yes to some but not to anything that he didn't think was serious.

But from the minute they [Rhine and his wife and co-researcher, Louisa] published their first book, Extra-Sensory Perception [in 1934], there was hostility to their experiments from the scientific community. So he started to agree to more interviews than he had originally, mostly just to get the word out that he was in fact doing serious science, and to attract more scientists who might have an open mind—and more subjects—as well.

How did Duke administrators react?

Unfortunately, his two big supporters, William McDougall, the head of the psychology department who lured him to Duke, and Few died not long after the lab opened. So for the rest of his career, he was always on shaky territory. Every time Duke got a new president, they had to make the decision to keep the lab going or not; one by one, they always decided to keep it going. I guess because it brought the university a lot of publicity and, ultimately, a lot of money.

Where did Rhine and his fellow researchers get their research funding?

They got money from Alfred P. Sloan and Chester Carlson, who was the inventor of the Xerox process. The Office of Naval Research gave them money; the Army, at one point, conducted a test with them; the Rockefeller Foundation; and the list goes on. He was very well funded but mostly from the outside. Duke paid his salary and his assistant's salary and gave them space—desks and stuff like that. It was its own independent lab, and Rhine reported directly to the president.

Where is this kind of work done now?

The lab closed in 1965 when Rhine retired. There was a period where Duke was considering keeping the lab going, and administrators were in talks with Rhine about how that would happen and what it would look like. I found the administration's initial idea of what it would look like, and I loved it. It was going to be a much more multidisciplinary operation involving representatives from all the different academic disciplines within Duke: people from the hard sciences, psychology, religion, and philosophy. They were going to put people with different expertise to work on the problem.

But Rhine was afraid that if that happened, parapsychology, and the people with expertise in parapsychology, would just be subsumed by all the others and eventually kind of shoved away. And he was actually right. I found memos between certain administrators who basically said that was what was going to happen. And then they started to talk to other professors who were even more adamant; they were like, "No! No! No! This is our chance to get rid of parapsychology once and for all."

So a couple of years before he retired, Rhine set up the Foundation for Research on the Nature of Man, and when he retired, he moved over there. It exists today, near West Campus, and is now called the Rhine Research Center.

How would you sum up Rhine's work?

Rhine—and I would include his wife, Louisa, who was equally critical to all this research, too—refined the controls and the statistical methods for analyzing their results in a way that nobody had before. I went through all the various objections, the critics over the years who accused them of fraud or making mistakes with the math, and I examined all these claims and found that they had no basis.

You might want to come up with other explanations for these effects, but you can't say they are the result of sloppy controls, fraud, or wishful thinking. Based on these experiments, there does seem to be an unidentified source of information out there. Unfortunately, we don't know how it's transmitted or how it's processed, but these effects nonetheless seem to be real. We also have a lot more to learn about consciousness.

This interview has been condensed and edited for clarity by Aaron Kirschenfeld.



Read alumni experiences with the Rhine Institute and submit your own.

Read Horn's Unbelievable blog.

Sunday, November 29, 2009

A Viewers Guide to THE MEN WHO STARE AT GOATS


By Col. John B. Alexander - US Army (Ret) • Nov 9th, 2009 •

The movie, THE MEN WHO STARE AT GOATS, is based on a book of the same title. While listed as nonfiction, the facts were extrapolated almost beyond recognition. The people in the book were listed by their real names. I was named many times.

While some Special Forces units experimented with various techniques, the vast majority of the incidents came from one of two other sources. Formal psi research programs were conducted in the U.S. Army Intelligence and Security Command (INSCOM). There was also a unique think tank called Task Force Delta at Headquarters Department of the Army and later at the Army War College. Delta was arguably the most innovative organization in the world. With support of senior leadership, we were consciously pushing the envelope. It should be noted that all of the explorations undertaken were done based on solid rationale.

Facts and Fiction

- The First Earth Battalion (1EB) was created by Lt. Col. Jim Channon, a brilliant imaginer and artist. He literally owns the First Earth Battalion concept.
- The 1EB was never an authorized military unit of the U.S. Army
- The 1EB was a notional concept that encouraged/allowed people to think innovatively, yet within a military construct
- The New Earth Battalion is a movie version of 1EB
- Most of the movie characters are based on real people – though some are composites
- The Kevin Spacey character seems to be made up for movie purposes
- Senior officer with ponytail (Jeff Bridges) NOT REAL
- Remote Viewing – REAL- and was a 20 year official program
- Use of Remote Viewing in Gen Dozier kidnapping by Red Brigade – REAL
- Concern about Soviet psychic research – REAL
- JEDI projects – REAL – but ad hoc (I had one of them with multi-agencies)
- Spoon bending – REAL – was taught to hundreds
- Cloud busting –REAL – though never as fast as done by Clooney
- Computer crashing – REAL – incident did happen
- Fire walking -REAL
- New Age exploration – REAL
- Running into walls – NOT REAL (is the opening scene of the movie)
- Use of LSD – not only NO, BUT HELL NO
- Hamster staring –ATTEMPTED – by Guy Savelli (a civilian martial artist)
- Goat Lab – REAL – used to train medics
- Goats – Hit by martial artists – It did die hours later
- Goats – Staring – no credible evidence to support this allegation
- Dim mak – PROBABLY REAL – supported by physical evidence
- References to a hollow army –REAL – post Vietnam was a traumatic period


PUSHING THE ENVELOPE
“If everything you’re attempting is successful, you are nowhere close to the edge!”
John Alexander

Tuesday, November 17, 2009

Battle satire 'Men Who Stare at Goats' has a Maryland link

It's strange but true. Maryland played a role in the events that inspired the military satire 'Men Who Stare at Goats'By Michael Sragow michael.sragow@baltsun.com Baltimore Sun reporter

November 1, 2009

The makers of "The Men Who Stare At Goats" have planted this epigraph before the movie: "More of this is true than you would believe." But I heard one young man emerging from a preview saying, "I don't think any of this is true."

After all, who in their right mind would buy a story about a visionary Army officer embracing Eastern martial arts and West Coast encounter sessions, then recruiting new American fighting men who would "fall in love with everyone," "sense plant auras," "attain the power to pass through objects such as walls," "have out-of-body experiences" and "be able to hear and see other people's thoughts"? And who could accept that this battalion employed psychic powers to locate a hostage halfway around the world - and to stop the heart of a goat?

But that visionary, Bill Django, played by Jeff Bridges, is based on a real man, Jim Channon, who did his military-intelligence training at Fort Holabird in Baltimore County (and lived at the Colony in Towson when he was doing it). In the 1970s and 1980s, he did engage commanding officers and fellow members of the think tank Task Force Delta in his dream of transforming the military into a holistic band of brothers. They rewarded him by reading him official orders to become commander of the First Earth Battalion.

Of course, this battalion (in the film, the New Earth Army) was a mind-expanding network, not a formal fighting group, with no set address except Task Force Delta and maybe Mother Earth. Its members were among the first on the planet to keep in touch through e-mail

And many of the exploits that the filmmakers ascribe to Channon's troops were done just a few miles from Baltimore, at Fort Meade. The site was two crumbling barracks belonging to a Defense Intelligence Agency unit devoted to "remote viewing" - the term for envisioning an unseen target using extra-sensory perception. Dale Graff, a sometime-Marylander who now lives in Hamburg, Pa., directed the program and gave it an enduring name: "Stargate."

Channon's goal was to re-imagine the American soldier as a "warrior monk" - equally deft at war and peace, destruction and healing. Graff aimed to pursue untapped powers of perception while locating Cold War targets or drug smugglers through Stargate members' super-intuitions.

Both men have healthy appetites for humor and similar mixed feelings for the movie. On the phone from Hawaii, Channon says it's only "one-third accurate." But he salutes the moviemakers because "it's really hard in the modern world of the trivia hairball to get anything important out to the public ... and they have made it so the paranormal doesn't seem like witchcraft."

As a man with a talent for seeing a few days into the future, Graff, a subtle joker, wrote these words before he saw the movie: "I laughed at the ridiculous antics of the characters. ... [But] while we laugh, are we not also acknowledging something hidden within ourselves that can be uncovered?" Afterward, he considered his pre-review pretty accurate.

The film's surefire, black-comic attention-getter is the scene of a New Earth soldier named Lyn Cassady ( George Clooney), under duress, focusing a high-energy glare on a still, silent goat - and killing it.

But the best sources believe that in real life, no kind of psychic projection leveled the animal. John Alexander, Channon's close friend and one of the models for Clooney's character, says that what felled the goat was "dim mak, a relatively obscure martial arts skill known in English as the death touch." On the phone from Las Vegas, where he lives, Alexander asks, "Have you ever seen a bullet wound in a body? You see not just a hole but a path of radiating energy. I saw the photos of the necropsy of that goat. And there was a similar path of energy across the chest - except there was no exit or entrance wound."

Alexander objects to the way Jon Ronson's book and Peter Straughan's screenplay erroneously connect this action to Channon's group and obscure the serious point behind the episode. An American army hero named Col. Nick Rowe explored the death touch - a light touch, not a heavy blow - as a method that hostages or POWs could use after days or weeks of physical weakening in captivity.

But Channon and Graff praise the movie for continually pushing its audience to think outside the banker's box of the traditional military-industrial complex.

Graff might practice precognition, but when he watched the film last week in Baltimore, he felt something else: "deja vu." Graff says the film gets several anecdotes dead right. The psychic who stops a hamster dead in its tracks - or, rather, stops it dead before it even hits the tracks of its rotating wheel?

"That was based on a Soviet test, but the Soviets staged the test with rabbits instead of hamsters." The use of remote viewing to rescue a U.S. general kidnapped by the Red Brigade in Italy? Joe McMoneagle, one of the Stargate psychics, won the Army's Legion of Merit "for providing information of critical value unobtainable from any other source on over 200 specific targets," including Brig. Gen. James L. Dozier, who was taken in Italy in December 1981 and rescued in 1982.

Some key scenes re-enact or echo several of Graff's pivotal experiences. In a skit straight out of an Abbott and Costello farce, two American military men discuss the need to ignite an inner-space race with the Soviets. At one point, our Cold War enemies thought that American authorities had experimented with ESP to communicate with the USS Nautilus, the first nuclear submarine.

International investigators uncovered a French hoax behind the Nautilus story. But the Soviets thought the hoax was a hoax - just another cover story - and raced full-bore into psychic research.

Graff says he had that same discussion with his commander at the Air Force's Foreign Technology Division, right after he "instinctively" put his hands on a classified report of Soviet ESP research. That talk eventually led him to the top of Stargate. (Now he's convinced that the U.S. did perform ESP experiments with submarines.)

Graff objects to the film depicting American psychics recklessly ingesting LSD and even spiking eggs and water with acid. "Our work could not involve 'non-ordinary consciousness,' meaning - No drugs! Those parts were silly." But some of the movie's intimate observations genuinely connected to him, especially a near-death experience that opens Bridges' heart and brain to new human potential. Graff had one of those himself.

And the psychics' use of idiosyncratic warm-up techniques rang clatteringly true. One of Graff's men, an American Indian, "worked with beads" to prepare for remote viewing, and another listened to hard rock.

On the phone from Austin, Texas, the hard-rock man, Paul H. Smith, laughs as he adds, "But I'd listen to Dolly Parton, too! It was all to get me 'psyched up.' " When approached at Fort Meade to join the unit in 1983, he had what he calls "a 'Men in Black' moment" as he walked toward the ramshackle barracks. It was all so mysterious and exciting - and well-funded, despite the headquarters' appearance. He made the decision to join "in 10 seconds." The decrepit quarters helped Stargate hide in plain sight. Rhode Island Sen. Claiborne Pell, on a briefing tour, once peered under the deteriorating steps and asked "Where's the wino?"

"Remote viewing should be called 'remote perception,' " says Smith. His own most startling vision came with a huge audio component. In 1987, on a Friday, he was asked to answer the question, "What's important for us to know about the next few hours?" He received an impression of a large metallic structure in a body of water and, in the distance, an aircraft dropping two cylindrical, winged objects that made "a whirring, guttering sound." When he came in Monday, he learned that an Iraqi plane had struck the USS Stark with a couple of roaring winged Exocet missiles.

Smith says, "Pardon the pun, there's a tiny kernel of truth" when it comes to Channon's influence on the be-all-you-can-be, all-volunteer army. "And I shouldn't say tiny - Col. Channon isn't small." Smith has criticized "The Men Who Stare at Goats" for linking ESP and Channon's New Age mind experiments to Abu Ghraib, a connection that "doesn't stand up to scrutiny."

Graff and Channon agree. Graff says remote viewers are especially sensitive to "staying away from 'the dark side' because it usually comes back to haunt you." Channon abhors the way "four of my ideas out of 125" have been connected to psychological warfare and atrocities in Iraq in order to fit a predetermined thesis: "How does good stuff go bad?"

It certainly didn't go bad for these two men. Graff has continued to write books and lead seminars and workshops aimed at extending human instinct and perception. Channon lives "on an eco-homestead" and promotes a crusade dubbed "Operation Noble Steward," calling for a united global military to handle ecological problems.

Channon's First Earth Battalion never recruited psychics. But he believes that he saved lives in Vietnam by relying on hunter's skills that could be considered psychic. And he feels ESP is "necessary" for American successs in contemporary conflicts. "The secret of modern warfare is, don't get into danger zones. You can't do that without extended awareness."

So in the end, the entertaining farrago of make-believe and scrambled history in "The Men Who Stare At Goats" doesn't faze Channon. He compares his collision with Hollywood to "a 'meeting engagement.' That's when two armies bump into each other and make a mess. The ones that are quickest on their feet win. I've been quick in this case. So far it has been an amazingly successful engagement."

Spoken like an honest-to-God, flesh-and-blood Jedi warrior.

Copyright © 2009, The Baltimore Sun